Before you are carried away, the customized accessories will bat your eyelids once more. They are fine-tuned for not just good-looking but for a performance reason.
The pop filter with a smiley face is see-through. So the appearance of the mic will not be muddied when you look at it from the front. But do not be fooled by the thin layer. Unlike the flapper filters that do not look good, sometimes do not work well either, it is quite good at rejecting rumbling. It also works as a dust collector, which collects the dust blown from the front and keeps the mic clean.
The microphone itself seems to be integrated into the shock mount, but that is not the case, it is actually clipped in place in a suspended way with rubber bands. Compared with those shock mounts that clamp on the microphone body, the suspension has better absorption of vibration noises. And the bands are so elastic and thick that they can get the mic stand up in shape and without being worn out easily.
In streaming, if there is any feedback about you being soft or loud from your audience or teammates, the control dial hiding underneath will help fix the volume issue on the fly. No bother with the time-consuming audio settings on your computer system and you will have a more constant sounding throughout the whole streaming.
It is on the tap where is the easiest place to tap, no matter how you position the mic, it is especially convenient when you put the mic on the included stand. But it is not so easy to let you forget that you are mute, because the eye-catching RGB lights will shut at that time to work as a notice.
| Type | Condenser |
|---|---|
| Polar Pattern | Cardioid |
| Output Connection | USB Type-C (mic end) to type-A 2.0 (computer end) |
| Power Consumption | USB power (Voltage: 4.75V-5.25V, Current: 50mA-80mA) |
| Bit Rate | 16-bit |
| Sample Rate | 44.1kHz |
| Frequency Response | 60Hz-18kHz |
| S/N Ratio | 1kHz﹥70dB |
| Sensitivity | -40±3dB |
| Shipping Weight | 0.6 kg |
